Lynda La Plante 5 Book Set Collection, Blood Line, Prime Suspect 1973...

Titles in this set

Blood Line
Prime Suspect 1973
Silent Victims
A Face In The Crowd
Prime Suspect

Blood Line

Under the watchful eye of DCS James Langton, DCI Anna Travis takes charge of an investigation for the first time. But is it purely a missing person's case - or a full blown murder enquiry? An ominous pool of blood and no victim lead Anna on a desperate hunt for a man who has disappeared without trace.

As Anna becomes obsessed with seemingly irrelevant details, Langton fears that she is losing control. They still have no body and Anna is under increasing pressure to make an arrest...

Prime Suspect 1973

In 1973 Jane Tennison, aged 22, leaves the Metropolitan Police Training Academy to be placed on probationary exercise in Hackney where criminality thrives. We witness her struggle to cope in a male-dominated, chauvinistic environment, learning fast to deal with shocking situations with no help or sympathy from her superiors. Then comes her involvement in her first murder case.

Silent Victims

A woman is murdered and the police have a prime suspect, but cannot prove it. Detective Jane Tennison fights to solve the crime and win the respect of her fellow, male, officers.

A Face In The Crowd

The coroner's report identifies the body as young, black, female, and impossibly anonymous. Yet one thing is clear to Detective Chief Inspector Jane Tennison about the latest victim discovered in one of London's poorest districts - that news of her murder will tear apart a city already cracking with racial tensions, hurling Scotland Yard and Tennison herself into a maelstrom of shocking accusations and sudden, wrenching violence.

Prime Suspect

When a prostitute is found murdered in her bedsit, the Metropolitan police set to work finding the perpetrator of this brutal attack. DNA samples lead them straight to George Marlow, a man previously convicted of attempted rape. Everything appears to add up and the police think they've found their man, but things aren't quite what they seem . . .